The enduring success of Incognito is one of the great stories of UK music during the last 31 years. Look at the recent history of soulful UK artists and you will find any number of short-lived acts that have achieved pop success. Narrow the list to those that have created a uniquely British sound and that have endured as a global phenomenon on their own terms and the list becomes short. Dues, then, to Jean-Paul 'Bluey' Maunick and Incognito, formed in 1979 and celebrating 31 years of positive vibes and undiluted jazz funk in 2010.
From an early age, the UK live scene was a key inspiration for Bluey, having moved to London from his native Mauritius aged ten.
‘I started Incognito with Tubbs. Our first saxman was Ghanaian music star George Lee and the drummer was Jeff Dunn (later with Van Morrison). We invited in keyboardist Peter Hinds and percussionist Gee Bello. Recording again for Ensign, the first Incognito offering was a demo instrumental, Parisienne Girl. On Radio 1, before the news, they played filler music and used Parisienne Girl. You would hear it three or four times a day. Ensign then wanted an album which was all recorded in a few days. The debut Incognito set, 'Jazz Funk' was an instrumental tour de force, with guests numbering Hugh Masekela hornsmen Peter Segona and Claude Deppa and legendary Jamaican trombonist, Vin Gordon. I respect the musicians spirit 100%. With writing and producing, I knew that I could communicate and weed out the good from the bad. It was a lovely exchange and formed the whole ideology behind Incognito.
In the late 80s, Linn drums and sequencers were standard and I started creating tracks at home, reflects Bluey, including the main body of the Incognito 'Inside Life' album. Gilles was about to sign Young Disciples and was looking at where to go next. I had known him from his Radio Invicta days and he came to see us at the Southport Weekender playing Always There. Gilles made the connection with Jocelyn Brown for the record. The David Morales remix paved the way for how I’d make music in the future. His version was so simple and at that point, I embraced all DJs! With the single and Inside Life album in 1991, Incognito were back.
Besides taking clubland, and the charts, by storm, Incognito unwittingly became smooth jazz heroes in the U.S. With their second Talkin Loud set, 'Tribes, Vibes & Scribes', Maysa Leaks vocals graced an update of Stevie's Don't You Worry Bout A Thing and an album track blew up on U.S. Quiet Storm radio. Bluey remembers, We had a hit with an instrumental called Larc en ciel de Miles. It was a simple tribute track but that and Deep Waters from our Positivity album were huge. The key was Richard Bulls drum programming. That rhythm is now a staple on smooth jazz records. The success led to the bands Citrus Sun offshoot project in 2001.
The albums that followed Tribes cemented Incognitos stature as a global phenomenon. 1993s 'Positivity' was among their best, crammed full of slick productions and universal hits like Still A Friend Of Mine and Givin It Up. Positivity sold almost a million worldwide. Bluey remembers. It really struck a chord with America. People identified with the songs and that album sealed it. '100 Degrees & Rising' super-sealed it. For that one, I brought in Joy Malcolm and Pam Anderson for some edge and we recorded at Abbey Road with a full string section, using Clare Fischers incredible string arrangements for Rufus as inspiration. I wanted to stretch my ability as a writer and producer and remember keeping a diary that inspired the lyrics. It was all about relating experiences as I felt them, not just about finding a catchy hook. Everything we did was accompanied by incredible remixes. I Hear Your Name, and Everyday had versions done by the best in the business like Roger Sanchez and Masters At Work. Stevie Wonder added harmonica to a re-work of Change. It was such an important part of our success.
On-stage too, Incognito have retained a massive fan-base from their unmissable live shows. For Bluey, it is a chance to get close to his audience. Its not about playing the tune just to get applause. It’s about communicating, making sure people get it. Its knowing that everyone shares a strong feeling of wanting to be together and experiences a little utopia, something thats not there in our daily lives. If I had to pick out some gigs, I'd say Sofia in Bulgaria, feeling the power of a crowd that are hungry for music. Montreux in 2005 too. We followed Craig David and the hall was packed... We rocked the house!! It showed me how far we have come.
Post-Talkin Loud, the Incognito release schedule has been as busy as ever with a string of quality releases on UK label Dome and Bluey's own label set-up, Rice. The most recent album projects have, by critical acclaim, been some of Incognitos strongest. With 'Adventures In Black Sunshine', it was our 25th Anniversary and I used Incognito tunes as the blueprint. It was about what influence I could have on myself and how the band could deliver that. Other recent projects have included the Hope Collective single Give & Let Live on Expansion, in aid of the Asian Tsunami victims and the people of Darfur in the Sudan, featuring an all-star cast including Chaka Khan, Steve Winwood and Omar. We always see bands like U2 getting political but it seems to happen rarely in soul music. It was good to readdress that situation.
31 years on, the Bluey and Incognito story remains a one-off and a uniquely Great British adventure. From Top Ten hits to producing and arranging for Chaka Khan, Anastacia, Lulu, Philip Bailey and George Benson, Bluey Maunick can take his place among the greats of global soul. It’s a wonderful time for music. Bluey quotes; We are entertainers, teachers, healers, we are lucky to have this labour of love and to be living the dream.
